Benet Rossell, filmmaker

Description

Some d'aquests treballs s'endinsen en el cine directe, de viatge i amb muntatge en camera (some d'aquestes serien: Pont de Gàlata, Patinage Trocadéro, L'accident or Statue de la Liberté); in a formal style mateix, but with a more intention of registering the actions of some of the artist companies of Paris, series Noir, mauve + barbe à papa. American Center, Paris or The heart is a pleasure, amb l’ús de la sobreimpression; amb un attempt més narratiu, Ethiopian Back; films in the genre of appropriation, in fashion at the time, are Biodop and Portrait (II); There is also a significant space for animation, as well as a very personal trend that will work throughout the long artistic trajectory, independently of the difficult discipline. He will perform the session Holes, feta sense camera, and the tancarà Darling, both a character that we could identify by his style as well as some of the drawings that are shown at the MNAC show “Benet Rossell Donation. Escriptures i trajectes” ends September 11, 2022. A session in which we will be able to produce an exultant work worthy of the quality of the million camera operators in 16 mm, with an intuitive, personal, sensitive, poetic and full-of-engineering look from his second creative mind. It is projected: Holes (1969); Noir, mauve + barbe a papa. American Center, Paris (1969); Skating Trocadero (1971); L'accident (1971); Statue of Liberty (1971); Galata Bridge (1972); Biodop (co-director: Joan Rabascall, 1974); The heart is a pleasure (co-director: Jean-Pierre Béranger, 1973); Back Ethiopian (1977); Portrait (II) (1974-1980), and Darling (1980).