Performance: "THE PRETENDED TRUE"
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Together with Hamlet, by Shakespeare, and The impromptu of Versailles, by Molière, The feigned true builds a fascinating trilogy about the theater within the theater in the seventeenth century.
Baroque theater insisted on the idea that life is a theatrical performance whose roles are written by God, and our talent as performers will be judged according to Christian precepts.
The three days of the work offer us a fascinating reflection on destiny and its apparent arbitrariness. The pretense required by theatrical art could become a journey towards the truth, whatever way we want to identify it.